Drop shadows
2005 – Installation at the Atrium, National Stage, Martinique
Straw, staples, mechanism, music
“The shadow-form is not just a projection, a specific extension, within the capture of another space itself in the making. Thus, the form beams in its shadow-form as well as within an echo and that has nothing to do with its sound but with its germination within its relationship to others, what each form had suggested continuously unravels and turns into another form that we deem unpredictable. It’s a continuous birth-rebirth process.”
